12/25/2023 0 Comments Andy ngo book![]() ![]() 1971) “mercurial” is to undervalue the term to call him a genius is incorrect. Capitol.Ī book that belongs in any QAnon subscriber’s collection.Ī warts-and-all portrait of the famed techno-entrepreneur-and the warts are nearly beyond counting. He argues that antifa will yield naught but “ash, blood, and feces-stained rubble,” when of course that would better describe what the mob of right-wing extremists left behind at the U.S. His conclusion seems particularly untimely given the events of Jan. According to the author, there are “whole networks of writers and so-called journalists who intentionally spread pro-antifa messaging.” Though he professes not to support the former president’s view that the press is the enemy of the people, he demurs, “but one can see the basis for that sentiment when looking at how transparently extreme ideologues are presented as the arbiters of truth.” Those extreme ideologues, the proceedings make plain, include anyone who questions Ngo’s account of events, which is right at home with the collected works of Dinesh D’Souza and Michelle Malkin. and dismissing the thought that the heavily armed, proudly violent boogaloo movement has anything to do with the far right, Ngo goes still farther out onto a logical limb when he urges that the progressive forces of education, health care, government, and the media are allies of the black-masked anarchists. Ngo is correct when he deems the organization to be “a relatively small group of committed radicals.” After muddying the waters to shift blame away from the Minneapolis police for their killing of George Floyd Jr. “At no point did the police intervene to help.” His attackers, he concludes, must have been members of the anti-fascist, or antifa, movement-and never mind that in several well-documented events, the perpetrators of violent acts have been right-wing extremists disguising themselves as fellow travelers. “I was nearly killed by a violent mob,” he claims. The framing event for Ngo’s narrative, about which readers are frequently reminded, is a moment when, in June 2019, he was attacked and beaten at a demonstration in Portland, Oregon. In 2018, Marshall invited Canadian academic Jordan Peterson, who has been accused of transphobia, misogyny and Islamophobia, to visit the band’s London studios.Īfter pictures of Peterson and members of the band appeared on social media, Marshall told a Canadian radio station, “I don’t think that having a photograph with someone means you agree with everything they say.” He added, “Primarily I’m interested in his psychological stuff, which I find very interesting.An overwrought exposé on the supposed lurking menace that is antifa. ![]() While a member of Mumford & Sons, Marshall courted controversy for associating with notorious right-wing personalities. Ngo, a conservative journalist who rose to prominence filming left-wing protests in Portland, has become notorious for his associations with the neofascist white nationalist groups the Proud Boys and Patriot Prayer.Ī few days after his tweet, Marshall announced he was “taking time away” from the band. You’re a brave man,” Marshall tweeted, before deleting the message following a backlash and intense mockery of the band. “Finally had the time to read your important book. In March, in a now-deleted tweet, Marshall, who also goes by the music aliases Country Winston and WN5TN, congratulated Ngo on the publication of his book Unmasked, which promises to take the reader “inside ANTIFA’s radical plan to destroy democracy.” On Twitter, the official Mumford & Sons account tweeted: “We wish you all the best for the future, Win, and we love you man.” He continued, “I hope in distancing myself from I am able to speak my mind without them suffering the consequences.” “I could remain and continue to self-censor but it will erode my sense of integrity.” My love, loyalty and accountability to them cannot permit that,” he added. “For me to speak about what I’ve learnt to be such a controversial issue will inevitably bring my bandmates more trouble. Mumford & Sons' Banjoist "Taking Time Away From the Band" After Andy Ngo Praise Controversy The truth is that my commenting on a book that documents the extreme far left and their activities is in no way an endorsement of the equally repugnant far right,” Marshall writes. “I have spent much time reflecting, reading and listening. He expands on his initial apology but also says he could not continue to “self-censor” his views. In a post on Medium, Marshall outlined the reasons he is leaving the band he had been a part of since it was founded in 2007. Winston Marshall, the banjoist and guitarist of Mumford & Sons, has quit the Grammy-winning British band months after provoking a fan and public backlash following his support for a book by right-wing provocateur Andy Ngo. ![]()
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